Showing posts with label ArmadilloCon 2011. Show all posts
Showing posts with label ArmadilloCon 2011. Show all posts

Friday, October 14, 2011

ArmadilloCon 2011: Imagining a future without fossil fuels

Defining the peak oil is not simple

As we may have already reached peak oil, the point in time when the maximum rate of global petroleum extraction is reached, it is timely to have a panel like "Imagining a future without fossil fuels". But before we can ask science fiction writers what will happen once oil production enters inevitable decline, we have to take into account that the definition of peak oil in itself, err, slippery. The question of whether there is a peak oil should be, "peak oil at what price", says Paolo Bacigalupi, whose novel "The Windup Girl" is set in post-fossil-fuel future. At $90/barrel, it becomes profitable to convert shale into oil. So when cheap oil becomes unavailable, people start extracting oil from reserves that were harder to reach. Since petroleum is used for much more than fuel, but also for plastic, fertilizers, and many other things, at some point oil will become too valuable to burn as fuel. We'll have to prioritize what we'll use fossil fuels for -- driving versus plastics, food, or fertilizers.

Matt Cardin, Paolo Bacigalupi, Jayme Lynn Blaschke, and David Chang

Matt Cardin, Paolo Bacigalupi, Jayme Lynn Blaschke, and David Chang. More pictures from ArmadilloCon 2011 are in my photo gallery.

With the tendrils of fossil fuels going into so many things, we should not imagine that a world with a different energy mix will look just like this one, says Matt Cardin. Our supply chains won't look the same. For example, industrial farming will change, because Dow Chemical produceds a lot of fertilizers from petrochemicals, and it will be too expensive to do that.

The question is, does the future have to go apocalyptic?

Will it look like the Little House of the Prairie?

The panelists sure hope the technological society won't go away completely, and we won't have to return to a lifestyle of 19th century farmers. Katy Stauber's mixed visions of the future do include farmhouses, albeit still connected to the internet. That way we could still play World of Warcraft while riding our bikes to power our computers. It seems she doesn't mind returning to pre-technological civilization, as long as enough technology is preserved for us to have some fun.

David Chang, Katy Stauber, and Matthew Bey

David Chang, Katy Stauber, and Matthew Bey. More pictures from ArmadilloCon 2011 are in my photo gallery.

David Chang and Paolo Bacigalupi hope that the tools and technology we have these days will make it possible for ordinary people to innovate solutions for post-fossil-fuel future. Bacigalupi has faith in people like a guy down the street from him, who is working on a biogas composter in his garage.

We could save lots of energy just by wasting it less, the audience points out. House builders used to (or still do) put the air conditioning unit in the attic, where it gets 150 degrees in summer. With energy costs rising, they might soon become smarter about that.

What is the next promising power source?

It is solar? Though it's commonly viewed as being cost-ineffective compared to coal, solar power costs about the same as coal, says Jayme Lynn Blaschke. The reason for discrepancy is that when those comparisons are made, commercial solar panels are lumped in with retail, and that drives their cost up. But there isn't such a thing as "retail" coal power.

Is it wind? Jayme was driving on Texas coast and saw four times as many wind turbines as last year. Matthew Bey said he knows a wind power entrepreneur -- a wind wildcatter, as it were -- who invests in this form of energy, and he's not doing it to make the planet green. This investor had a Whataburger franchise before he decided to make money off wind power. So anecdotal evidence shows that the good old free market is starting to see alternative energy as viable.

What are the promising modes of post-fossil-fuel transportation?

Could it be Shweeb, which David Chang describes as a human powered transportation system resembling a bicycle on tracks. You can go long distances on it, because there is little friction.

Could it be buses on stilts, or straddling buses, the kind that have been developed in China? (Here's a New York Times article on that.) While the buses don't do away with fossil-fuel (they are only partially solar-powered), their capacity to carry 40 times as many people as a regular bus should present significant energy savings.

Monday, September 12, 2011

ArmadilloCon 2011: What You Should Have Read

A bunch of authors, editors, critics and booksellers discuss their science fiction, fantasy and horror picks of the year. Willie Siros usually presents his list of notable genre books that came out in the last year or two, but he forgot the list at home. So he recalled from memory five recent books that left the biggest impression to him. Here they are.

Willie's five most recommended genre books of the year

China Mieville "Embassy Town"

Greg Egan "Clockwork Rocket"

Robert Charles Wilson "Vortex"

Charles Stross "Rule 34"

Gene Wolf "Home Fires"

Willie's less memorable, but still good novels of the year

James Corey (Daniel Abraham's pen name) "Leviathan Wakes"

Greg Bear "Hull Zero Three"

Charles Stross "Scratch Monkey", his very first novel that has been unpublished until now. Willie Siros thinks it was good for Stross' career that his debut novel was "Singularity Sky", and not "Scratch Monkey". But now it has been published by NESFA. (I wonder, then, if this novel is only good in the "look how far this author has come!" sense.)

John Scalzi "Fuzzy Nation"

Rudy Rucker "Jim and the Flims"

Novels that inspired a discussion

Nnedi Okorafor "Who Fears Death"

Elizabeth Bear, Michelle Muenzler, and Willie Siros

Elizabeth Bear, Michelle Muenzler, and Willie Siros. More pictures from ArmadilloCon 2011 are in my photo gallery.

This book was highly praised by Michelle Muenzler and Martin Wagner. Martin recalled that one of its critics didn't think the future world in this novel was very well explained, at least not in a typical hard SF fan manner. Martin said that was because the world in which the narrator is living is not very clear to the people living in them. In the post-apocalyptic future Sudan, its inhabitants know only a little bit about our present day from some book, but most of the human history is lost to them. What is interesting is the narrator's personal journey. She is a product of weaponized rape, and an outcast in her society. This enables her to go on a journey she goes on. Martin characterized this book as an interesting hybrid that couples African mysticism with some very contemporary politics.

Willie Siros said that even though Nnedi Okorafor grew up America (she is of Nigerian origin), she has an interesting post-colonial view. He compared her to Ian McDonald, who is having "a lot of fun postulating future Brazil and India"

Hannu Rajaniemi "Quantum Thief"

Thomas M. (Martin) Wagner and Elizabeth Bear

Thomas M. (Martin) Wagner and Elizabeth Bear. More pictures from ArmadilloCon 2011 are in my photo gallery.

Martin Wagner wasn't quite disappointed by this book, but despite being a wonderful exercise in imagination, it didn't live up to the hype. Elizabeth Bear agreed: among other things, it is an uploaded brain book, a book on skinning reality, on being able to tune your reality in the "I don't like you, so you won't exist for me anymore" sense. But the author doesn't warm the water up for you, he throws you right in. Martin said he was processing the information so much that the story didn't hold any suspense for him. The premise of the book is like nothing he has ever seen: there's a city that walks around the surface of Mars. Time is currency there. After living for a while, its citizens become impersonal drones who work to support the walking city. Despite the imaginative setting, only one scene in the whole story has any heart on it: the hero brings a girl, the secondary protagonist, to a bar where she sings, because it's her hobby. Martin thinks this book had potential, but it will take the author 2-3 books to fully establish emotional connection with the reader.

Elizabeth Bear too said she didn't connect with that book. She felt distanced from the characters. It also does not testify to the author's writerly skills that when we meet a lesbian character for a first time, she is having sex. There are other ways to tell us she's a lesbian, says Elizabeth Bear.

John Scalzi "Fuzzy Nation"

Willie Siros counts this book in his "memorable, but not Top 5" category, but Martin Wagner was extremely impressed by it. Scalzi's take on that world was very faithful to H. Beam Piper (the author who originally thought up the fuzzies), but also uniquely his own. Martin liked a contemporary take on that particular story.

Mary Robinette Kowal "Shades of Milk and Honey" was another debut novel Willie was impressed with, and Martin liked it too. It's a Jane Austen pastiche.

Michelle Muenzler recommends

Darren Bradley "Noise"

Connie Willis "Blackout" and "All Clear" (a two-part novel, 2011 Hugo Award winner)

Michelle's most interesting fantasy books were all by Nightshade this year. "God's War" by Kameron Hurley has an interesting heroine who craps on everything, including herself. "No Hero" by Jonathan Wood is Lovecraft with the sense of humor. Michelle is a really big fan of Jonathan Woods voice. It's classic funny British, and if you ever talk to this author, you'll find he has the same kind of voice. You can imagine him in this book, talking with that voice.

Martha Wells "Cloud Roads". Though Michelle Muenzler strongly dislikes fantasy that has 5 million characters, "Cloud Roads" pulls it off. Every town has a new species. It has an ant culture mixed in with flying creatures. What Martha Wells did with different cultures is really fascinating.

Martin Wagner recommends

A whiteboard with the list of the recommended science fiction, fantasy and horror books of 2010-2011

A whiteboard with the list of the recommended science fiction, fantasy and horror books of 2010-2011. Scott Lynch did the honors of writing it all down. More pictures from ArmadilloCon 2011 are in my photo gallery.

Joe Abercrombie "The Heroes". It's about how war teaches people who they are. Characters discover that what they wanted out of life wasn't necessarily what they thought. Heroism doesn't mean the same things to the same people. Abercrombie has an amazing way to convey battle scenes. Everything comes from the POV of the person in front of you. It's all filtered through the character you are relating to. It's like the Omaha battle scene in Saving Private Ryan. That's what makes it not just mindless violent fantasy writing.

Stina Leicht "Of Blood and Honey", a novel about a young man who finds out who he is in the times of the Troubles in Ireland. Fantasy elements are so subtly intervowen into this story that for hundreds of pages you don't realize you're reading fantasy. It's Martin's favorite fantasy debut this year.

Dan Abnett "Embedded", a military science fiction novel that appealed to Martin even though he's not a fan of that genre. The main character is a journalist, whose mind is going to piggyback on the mind of a grunt in a battlefield. The problem is, the soldier he's piggybacking on is immediately killed when he gets out in the field. So the journalist's awareness, his consciousness has to take over, and help to bring this soldier home, so he could tell the truth of what's going on out there. Martin described this book as trenchant satire about how politics and media come together to justify what we do at the time of war.

Under the radar book: "Enigmatic Pilot" by Kris Saknussem, whose style Martin compared to Mark Twain.

Elizabeth Bear recommends

Gemma Files "Book of Tongues", a very high grit fantasy western with hexslingers and ancient gods. The characters are terrible human beings who do terrible things for terrible reasons, but they really still care about each other. This keeps it from being a depressing book. And it has interesting worldbuilding.

Genevieve Valentine "Mechanique" is Elizabeth Bear's favorite debut is. It's a novel about a circus of people who had parts of themselves replaced by clocks and machines. Circus performers are competing for the role fo a ringmaster, who committed suicide. It's a wonderfully creepy, atmospheric, surreal little book. Willie Siros agrees that this one was on his list of favorite first novels, with not many lapses into first-time-writer'ness.

Disappointing Books

Martin said he has read two very, very, very long books by Patrick Rothfuss, and still waits for them to be about something. The last 1000-page book was about a kid "who goes here and does some stuff, and goes there and does some stuff, and gets into an argument with his girlfriend, does more stuff and goes home".

Brandon Sanderson "Way of Kings" was a bit disappointing too.

The book that takes a cake in this category (according to Martin) was "Hellhole" by Bryan Herbert and Kevin J. Anderson. It has magic aliens.

Willie Siros' most dispaointing book of the year was "Magician King" by Lev Grossman. To tell the truth, Willie was also critical of its predecessor "The Magicians". "You have a magic school, and magicians who graduate, but they don't do anything. They sit around with their trust funds and piddle. Students go off, have adventures, and then give up on anything difficult. What's the point of learning something if you don't do anything that's hard? I didn't like any characters," says Willie. "So I said, OK, I'll see what happens in his Narnia (called Fillory in the book -- E.), where they become a king of an alternate world. And that didn't go anywhere. They haven't learned anything how to survive as an adult."

>Willie was not impressed by George R. R. Martin's long awaited "Dance With Dragons" was very impressive either.

Audience recommends

Several members of the audience recommended these books:

Iain Banks "Surface Detail" has fabulous ideas, fabulous writing, says a guy in the audience.

Alyx Dellamonica "Indigo Springs".

Ian Macdonald "Dervish House" should have won a Hugo, says an audience member.

Pictures from Armadillocon 2011 are in my photo gallery.

Tuesday, August 30, 2011

ArmadilloCon 2011: What is Texas Weird, and other gems of wisdom from the writers' workshop

ArmadilloCon writers' workshop followed the familiar agenda from the years before. The unexpected, as always, happened at the time of games and critiques.

The writing game was dreamt up by Scott Lynch at 3 a.m. the night before. Surprisingly (or not), it was one of the more meaningful games compared to previous workshops. (I just can't get into "let's collectively write a story" exercises. If I'm not in a complete control of my story, I stall. This was different.) You had to come up with a 4-sentence a story, or a synopsis thereof. Then an "evil" editor would tell you to make changes to make the story more sellable. You had to make them in 10 minutes. Finally everyone was supposed to read their original story, editor's comments, and the final story out loud. Luckily for me, due to time pressure only 4 or 5 people had to share their works.

Jayme Lynn Blaschke, Allyson and Jason

Jayme Lynn Blaschke, the "editor" (left), gives sly suggestions how to improve Allyson's and Jason's stories at the writing game. More pictures from ArmadilloCon 2011 are in my photo gallery.

The editors were supposed to be intentionally evil: their feedback required the author to throw away his or her precious idea. Let's say you wrote a story where humans, having landed on an alien planet, drilled into its core and found intelligent life there. The editor would praise your hard SF concept, and tell you that the drill actually bore into hell, and it's not aliens there, but demons. Or if your plot is influenced by the physics of a rotating black hole, the editor would say that rotating black holes are so last decade, and you should make it a diamond star (which was on the news recently).

Such an exercise may seem absurd, but its point was to teach us how to write "on demand". An editor can and will ask to make changes, and you have to cooperate even if your muse doesn't. Don't wait for the muse to inspire you, but crank out a product when you're asked to, and don't treat your ideas as sacred.

Paolo Bacigalupi, Lou Anders, and Mark Finn

Paolo Bacigalupi, Lou Anders, and Mark Finn at the critique group. More pictures from ArmadilloCon 2011 are in my photo gallery.

Later it was time for critiques. I was lucky to be in a group that not only was taught by great critiquers -- Guest of Honor Paolo Bacigalupi, and Mark Finn (who, by the way, has an uncanny ability to come up with plot twists to improve students' stories), but a third pro spontaneously joined our group. It was Pyr editor Lou Anders. I don't know what prompted him to join us, but he speed-read students' stories while the other group members were speaking, and gave critiques on the spot. Speed-reading (which, I presume, is all he does as an editor) made the stories look different to him than they did to other members who gave them more consideration. This was good, because it made the flaws really stand out. He didn't pick up on what other people (including the pros) identified as good parts of my story, but immediately pointed out a major flaw. It is invaluable to know how an editor sees a story.

All three pros not only pointed out what was wrong with the students' works, but gave suggestions how to improve them. That doesn't always happen. It gives me more confidence that maybe this will be the year I will revise my story based on the feedback. (No, I didn't do it the previous years. Bad writer. Bad!)

So what is Texas Weird?

A comment by Mark Finn clarified for me what "Texas Weird" genre is. Brainstorming ways to make one student's story better, he said: "Your opening sentence should be 'The President was holding a closed door meeting with severed heads.'" This would put the story in the Texas Weird genre. It pulls the curtain off the key historical moments and shows us how certain world-changing decisions were made, Mark explained. Yes, a president consulting severed heads might not even be the most unreasonable explanation for some US foreign or domestic policy decisions of recent decades.

Pictures from Armadillocon 2011 are in my photo gallery.

Thursday, August 18, 2011

ArmadilloCon 2011 panels I want to see

Here are the panels I want to see at this year's ArmadilloCon (August 26-28). In square brackets are my comments on why I'm interested in that particular panel. The ones in bold are must-see for me. Well... as must-see as can be after going for a decade to a convention where pretty much all the same people are on panels year after year, and you more or less know what they are going to say. Fortunately, guests of honor can liven things up.

Friday



Fr1600SB Welcome to ArmadilloCon
Fri 4:00 PM-5:00 PM Sabine
S. Bobo, B. Denton*, J. Juday, K. Meschke, W. Spencer
Our panelists will talk about the essential elements of sf cons in general and ArmadilloCon in particular. Learn about all the can't-miss events you should attend to get the most out of our con.

[ Brad Denton usually brings barbecue, and Scott Bobo brings martinis, right? ]

or

Fr1700SB Introduction to SF/F Fandom
Fri 5:00 PM-6:00 PM Sabine
B. Crider, F. Duarte*, A. Jackson, M. Walsh, P. Wells
Learn about all the aspects of organized science fiction fandom. By the end you'll be able to use fannish jargon like filk, BNF, BEM, and more!

[ I have been in science fiction fandom for many years, but haven't participated in an organized way, my on-and-off FACT membership notwithstanding. Maybe I should hear about the wonders of organized fandom.]

Fr1900T Opening Ceremonies
Fri 7:00 PM-7:30 PM Trinity
L. Anders, P. Bacigalupi, E. Bull, F. Duarte, Ma. Finn*, J. Juday, W. Shetterly, C. Siros, V. Villafranca
This formally kicks off the con. Get introduced to the con's major guests. Afterward attend the Meet the Pros party.

Fr1930A Meet the Pros Party
Fri 7:30 PM-9:30 PM Plaza Area
Here's an opportunity to meet your favorite author or artist.

Fr2000T Building a Fictional Society from the Ground Up
Fri 8:00 PM-9:00 PM Trinity
P. Bacigalupi, E. Bear*, A. Latner, A. Marmell, J. Reisman, M. Wells
A discussion of worldbuilding in sf/f.

[ Must attend it because Paolo Bacigalupi, the writer Guest of Honor, is in it. But I've seen so many worldbuilding panels, they occupy a sizeable section of my blog, and they all blur together ].

or

Fr2000SM How Would an Alien Presence on Earth Affect Our Society?
Fri 8:00 PM-9:00 PM San Marcos
A. Jackson, K. Kimbriel, A. Martinez*, P. Jones, B. Mahoney, B. Yansky
A classic "what if" scenario discussed by a panel of writers and scientists.

[ If only Paolo Bacigalupi was in this one! But at every con there are at least two panels I want to see at the same time. This year, it's "Building a Fictional Society" and this one. ]

Saturday



Sa1000SA Stump the Panel: Make Up an SF/F Use for an Everyday Object
Sat 10:00 AM-11:00 AM San Antonio
B. Foster, M. Muenzler, J. Nevins*, J. Reisman, F. Summers
The audience supplies the items, and the panel provides the imagination.

[ Maybe? Stump the Panel has been getting less and less funny over the years, and completely fizzled out last year. ]

Sa1100SA Imagining a World without Fossil Fuels
Sat 11:00 AM-Noon San Antonio
P. Bacigalupi, M. Bey, J. Blaschke*, M. Cardin, D. Chang, K. Stauber
Discussing the implications of this all-too-plausible scenario.

[ Well, Paolo Bacigalupi will be in this one, and he has created quite an interesting post fossil-fuel world in "The Windup Girl", so it's worth seeing just for that. ]

Sa1400SA Writing a Strong Female Protagonist
Sat 2:00 PM-3:00 PM San Antonio
A. Allston, E. Bull, A. Downum, J. Kenner*, T. Mallory, M. Wells
The challenges of writing a tough-yet-relatable heroine.

[ Maybe? Very little writing advice seems new to me anymore. But having heard it all doesn't mean I know how to apply it -- that only comes with practice. So perhaps there isn't much point in going to such panels. ]

Sa1600SA What You Should Have Read in 2010-2011
Sat 4:00 PM-5:00 PM San Antonio
E. Bear, M. Muenzler, J. Nevins*, W. Siros, T. Wagner
Our annual rundown of the year's best.

[ I always go to this one, and repost the list on my blog -- in fact, this is one of the very few events when people *ask* for the URL of my blog. ]

Sa1700T Fannish Feud
Sat 5:00 PM-6:00 PM Trinity
L. Anders, P. Bacigalupi, S. Bobo, E. Bull, S. Cupp, F. Duarte, Ma. Finn*, W. Shetterly, V. Villafranca, M. Walsh, P. Wells
Come see our Fans vs. Pros game show event.

[ I have never seen a Fannish Feud -- let's make this a year when I'll finally see one. ]

Sa1900T What is the Next Big Literary Movement in Texas SF/F?
Sat 7:00 PM-8:00 PM Trinity
L. Antonelli, J. Blaschke, R. Eudaly, K. Stauber, D. Webb*, L. Thomas
In the 80s and 90s, Texas writers were intimately involved with the cyberpunk movement. Is there a current movement that's about to sweep up the new crop of Lone Star authors?

[ Maybe? I heard of most Texas SF/F authors, and have checked out the ones that sounded interesting, but perhaps I'll find a new reason to check out some of the rest?

Sa2000T Wiscon and Elizabeth Moon: What Happened and What Can We Learn from It?
Sat 8:00 PM-9:00 PM Trinity
E. Bull*, S. Leicht, S. Lynch, L. Person, C. Rambo, L. Thomas
Elizabeth Moon was invited and announced as Guest of Honor for the 2011 Wiscon, but the invitation was withdrawn following a noteworthy blog post she wrote. What were the issues, and was the situation handled appropriately? How do we avoid similar situations?

[ I didn't find Elizabeth Moon's notorious rant offensive, even though I, as an immigrant, should have been among those who were offended by it. Parts of it, though, rubbed me the wrong way. Honestly, I have long forgotten about it, but mmm... fandom drama! Must hear the juicy details! ]

Sa2200SA Is the Singularity Possible?
Sat 10:00 PM-11:00 PM San Antonio
J. Gibbons*, A. Latner, M. Maresca, A. Simmons, K. Stauber
Hard sf writers such as Vernor Vinge have long speculated that someday machine intelligence will outpace that of humans. Recently some writers including Charles Stross have suggested that this is impossible. Our panelists discuss.

[ While I doubt the panelists will cover ground that wasn't already covered by Vernor Vinge in this ArmadilloCon 2003 panel, or by an AI researcher and a president of the Singularity Institute in this SXSW 2011 panel, still... I simply can't resist anything with S-word in it! ]

Sa2300T Ghost Stories
Sat 11:00 PM-Midnight Trinity
S. Allen, S. Johnson, J. McDermott, N. Southard*, W. Spencer, D. Webb
Want to hear something really scary? Our panelists tell their favorite ghost stories.

[ This should be plain fun. ]

Sunday



Nothing really must-see until 1 p.m., and then only a couple of panels of mild-to-moderate interest to me.

Su1300SB Harry Potter Movies: A Look Back
Sun 1:00 PM-2:00 PM Sabine
R. Clement-Moore, F. Duarte*, Ma. Finn, J. Kenner
Now that the movies are over, let's discuss the series for a final time and see how it measured up to the books.

[I'm fond of Harry Potter books and movies, so why not?]

or

Su1300SM Finding Your Voice as a Storyteller
Sun 1:00 PM-2:00 PM San Marcos
N. Barrett, J. Blaschke*, S. Brust, A. Downum, W. Spencer, S. White
The most fun writers to read are those with distinctive narrative voices. How does a writer develop one?

[ Again, I've heard most writing advice, so I'm not sure it's worth it. ]

Su1400SA Writing from a Viewpoint Other than Your Own
Sun 2:00 PM-3:00 PM San Antonio
A. Allston, J. Lansdale, S. Leicht, A. Martinez*, W. Shetterly
How does a writer approach a viewpoint character of a different gender, religion, ethnicity, age, or moral code?

[ This could be very interesting if it goes beyond the obvious and the platitudes. It's just that panels about difficult things (and I think writing a viewpoint character of a different background is very difficult) often doesn't go beyond stating that it's hard and you just have to figure it out yourself. :-) ]